![]() They share their advice on home design, furnishings, as well as a glimpse at their awe-inspiring rooms.įull of beautiful photographs, this book is a treasure trove of amazing California architecture, unique home furnishings, breathtaking art, and hundreds of ideas on putting together the home you've always dreamed of. An added bonus is a look at the homes of her friends and collaborators-some of the finest designers in the country. Included are seven of her homes past and present, from the famous "Brody House" up to her current homes, and she offers tips and advice on what each house taught her. DeGeneres offers a personal look at every room in each of her homes. She believes, "You don't have to have money to have good taste," and she is eager to share what she has learned over the years. In Home, DeGeneres will, for the first time, share her passion for home design and style. ‘An enthusiastic belief in the power of technology and a passion for planning were the driving forces behind ‘system design’ and the design of private and public spaces, reaching all the way to outer space.Ellen DeGeneres has bought and renovated nearly a dozen homes over the last twenty-five years, and describes her real-estate and decorating adventures as "an education." She has long cared deeply about design: "I think I wanted to be an interior designer when I was thirteen." The advance of technology, artificial intelligence, cybernetics, and computerization entail social prosperity, a term translated as ‘happiness for all’. ![]() Modell des ‘intelligenten Arbeitsraums’ in Originalgröße, Teil der ‘Heim-Informations-Maschine ‘(DIM), ausgestellt auf der Elektronik-Ausstellung, Moskau, Sowjetunion, 1971, Reprint, 2023, © Privatsammlung Wladimir PapernyjĬity planning, architecture, and design contribute to the practices that seek to design a better tomorrow. But beyond any political differences, designers and architects from both systems had one thing in common: they were faced with the same social challenges, worked to solve similar design problems and to find sustainable solutions for the environment, developed comparable ideas, and proposed visionary project,’ as stated in the press release (see more here). ‘During the Cold War, design and architecture came to reflect the geopolitical tug-of-war between the two superpowers of the USA and the USSR. Planning became the keyword in an attempt to shape the future through systematized innovations. Through the ‘Iron Curtain’, the political boundary that divided Europe into two separate areas, a lively dialogue emerged, creating a powerful artistic network that sought solutions for cultural, environmental, and economic topics. Through extensive pursuit, they ‘ make a decisive contribution to a long-overdue re-evaluation of the global and decolonial history of design.’ Design for Socialist Spaces’ spotlights the ‘complex facets of the design landscape of a region that remains unknown to the broader Western public.’ Initiated by an innovative team of curators and institutions, ‘Retrotopia. Showcase any brand or products, merchants can launch a store quickly and sell more online with Shopify. SPHINX – ‘Superfunktionale Informations- und Kommunikationseinheit’, alternative Konfiguration, Sowjetunion, 1986–87, Reprints, 2023, © Privatsammlung Build, launch, scale with a quick-start premium theme for online store 2.0. This part includes extensive archive material, photos, posters, magazines, books, films, and other design objects, that form a three-dimensional mind map on thematic clusters. The projects present a vast scope of works, from futurist interiors for hotels, and presidential lounges to visual communication for festivals in public urban spaces, as well as from opulent textiles or artistic glass installations for trade fairs to cybernetic living spaces.Ĭurated and directed by Claudia Banz, ‘Retrotopia’ hosts a second section that engages the audience in a multisensorial journey. On view at Kunstgewerbemuseum from 25 March to 16 July 2023, the exhibition is a retrospective of realized and imaginative design concepts, including public and private spaces. The exhibitiontouches on the role and impact of design in the countries of the former Eastern Bloc and former Yugoslavia between the 1950s and the 1980s. Design for Socialist Spaces’ brings the work of numerous significant designers from post-socialist countries under one roof.
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